HMM-043 · MOVIE NIGHT

Drag Me to Hell

2009 • Sam Raimi

ORIGINAL TITLEDrag Me to Hell
GENRESupernatural horror / dark comedy
ABOUT THIS FILM
RUNTIME
99 min
FAMOUS QUOTE
“I beg you and you shame me?”

Vibe

demonic curseSam Raimigross-out horrorloan-office guiltthree-day deadlineséance chaosgoat demonphysical slapstickmoral punishmentmerciless ending

Loan officer Christine Brown denies an elderly woman's request for an extension in hopes of proving herself at work and is cursed by a powerful supernatural force that will torment her for three days before dragging her to hell unless she can redirect the curse. Sam Raimi returns to bodily slapstick, aggressive sound cues, subjective camera movement, grotesque practical gags, and moral cruelty, making Christine's social anxiety and supernatural punishment escalate together. Watch how ordinary workplace ambition becomes the first link in the supernatural chain; the film refuses to isolate the curse from Christine's decision to prioritize status over compassion.

MOVIE NIGHT RANK
#43 of 100

Watch for

  • Notice how Christine’s professional decision creates the moral framework before the curse becomes visible.
  • Watch Raimi alternate disgust and slapstick during attacks; props enter faces and mouths with deliberately comic timing.
  • Track the three-day deadline as a structural engine that keeps research, bargaining, and ritual moving forward.
  • Pay attention to objects exchanged between characters; the curse’s transfer logic makes possession and ownership narratively dangerous.

Production notes

BBFC records Drag Me to Hell as a 2009 horror film directed by Sam Raimi, with the original U.K. theatrical 2D version classified at 98 minutes 49 seconds.

Trivia

  • BBFC classifies the film as a 2009 Sam Raimi horror feature.
  • The theatrical U.K. version is 98 minutes 49 seconds.
  • Later home-media versions in the BBFC record are several minutes shorter.
  • Alison Lohman plays Christine Brown.
  • The plot is driven by a three-day supernatural curse.

Legacy

Drag Me to Hell was widely received as a return to the manic horror-comedy mode associated with Raimi's Evil Dead work after years of large-scale studio filmmaking. It became a touchstone for 2000s studio horror that could be cruel, funny, formally energetic, and relatively self-contained without depending on a franchise mythology.