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About This Film
Two years after the first Critters attack, teenager Brad Brown returns to Grover’s Bend for Easter and discovers that unhatched Krite eggs have been mistaken for Easter eggs. The joke is almost too perfect: a holiday built around hidden eggs becomes the mechanism that distributes carnivorous aliens through town. Mick Garris leans harder into comedy than the original, using church celebrations, baskets, an Easter Bunny costume, and community ritual as setup for creature mayhem. Easter is therefore not a decorative timestamp. It directly explains why the eggs are collected, hidden, and handled by children before they hatch. The result is one of the clearest examples of holiday iconography becoming literal genre mechanics.
Famous Quote
“Who are we gonna call? Critter Busters?”— Brad (English)
Vibe
Easter —
Watch For
- Watch how ordinary Easter eggs and alien eggs are visually confused before the creatures hatch.
- Notice the tonal shift from small-town holiday comedy into creature-feature chaos.
- Track returning characters from the first film against newcomers who treat the earlier attack as local folklore.
- Pay attention to the Easter Bunny sequence, which turns a familiar mascot into one of the film’s darkest visual jokes.
Production Notes
AFI catalogs the film as a 1988 New Line production, directed by Mick Garris and running 87 minutes in the print viewed by the institute. Plot records confirm that leftover Krite eggs are sold and used for the town’s Easter celebration, creating the central outbreak. Garris co-wrote the screenplay with David Twohy. The sequel expands the creature-comedy elements of the first film and gives the holiday premise unusually direct physical consequences.
Trivia
- Mick Garris made his feature directing debut with the film.
- AFI catalogs a runtime of 87 minutes.
- David Twohy and Garris wrote the screenplay.
- Krite eggs are mistaken for Easter eggs and distributed during the town celebration.
- The sheriff is attacked while dressed as the Easter Bunny, making the holiday imagery part of the horror itself.
Legacy
Critters 2 developed a stronger cult reputation than its initial theatrical performance might suggest, partly because it embraces the absurdity of its Easter premise so completely. Holiday horror often depends on attaching a killer to familiar decorations; Critters 2 goes further by making the holiday object itself—the egg—the mechanism of invasion. The film also marks Mick Garris’s transition into feature directing before his later long association with horror adaptation and television. Within Holiday Movie Night, it provides a deliberately pulpy Easter counterpart to religious epics and musicals.