VN-078

Người đàn bà mộng du

2003 • Nguyễn Thanh Vân

INTERNATIONAL TITLEThe Sleepwalking Woman
GENREDrama / psychological / war
ABOUT THIS FILM

At the center of Người đàn bà mộng du is a former wartime volunteer whose peacetime life remains governed by memory, guilt, idealism, and an obsessive attempt to redeem another damaged survivor. Working through drama, psychological, and war, the film lets relationships carry the weight of its social setting.

Vibe

VietnameseCharacter-drivenSocialPeriod-specificHumanistAtmosphericHistorically-groundedIntimateCulturally-specificReflective

Synopsis

The film follows characters caught in a former wartime volunteer whose peacetime life remains governed by memory, guilt, idealism, and an obsessive attempt to redeem another damaged survivor. Their immediate choices create the narrative movement, but each decision is constrained by family relationships, social expectations, material conditions, and the larger historical world around them. As the central conflict develops, private desires become increasingly difficult to separate from obligations to other people. Relationships that initially appear stable are tested by fear, ambition, memory, class, duty, or loss. The story accumulates consequences rather than treating one event as an isolated crisis, allowing the characters’ environment to become part of the drama. By the final movement, the film has transformed its specific situation into a broader reflection on how people adapt when inherited values no longer fit the conditions in which they are living.

RUNTIME
85 min

Người đàn bà mộng du follows a former wartime volunteer whose peacetime life remains governed by memory, guilt, idealism, and an obsessive attempt to redeem another damaged survivor. The film treats the end of war as the beginning of another struggle, asking how deeply wartime identities can persist inside civilian life.

EDITORIAL RANK
#78 of 100

Watch for

  • In Người đàn bà mộng du, watch how landscape and ordinary movement carry a former wartime volunteer whose peacetime life remains governed by memory, guilt, idealism, and an obsessive attempt to redeem another damaged survivor; Nguyễn Thanh Vân's framing makes memory and survival part of the physical world.
  • Track the distance between public duty and private memory as Người đàn bà mộng du develops a former wartime volunteer whose peacetime life remains governed by memory, guilt, idealism, and an obsessive attempt to redeem another damaged survivor; roads, homes and rural spaces register what the characters have already lost.

Production notes

Người đàn bà mộng du was directed by Nguyễn Thanh Vân and released in 2003. Nguyễn Thanh Vân adapted Nguyễn Minh Châu through Nguyễn Quang Thiều’s screenplay; the film won the Golden Kite and later the Golden Lotus with major acting and cinematography honors.

Trivia

  • Nguyễn Thanh Vân adapted Nguyễn Minh Châu through Nguyễn Quang Thiều’s screenplay.
  • The film won the Golden Kite and later the Golden Lotus with major acting and cinematography honors.

Legacy

Its lasting value comes from the precision with which Người đàn bà mộng du turns a former wartime volunteer whose peacetime life remains governed by memory, guilt, idealism, and an obsessive attempt to redeem another damaged survivor into lived experience rather than historical shorthand.

Find This Film

Search the exact Vietnamese title “Người đàn bà mộng du” with Nguyễn Thanh Vân and 2003; then cross-check against VnExpress director interview and VnExpress Golden Kite coverage. Prefer institutional, festival, licensed, or contemporary Vietnamese sources over scraped catalogue copies.